UnliMited Students is re-introducing a regular and low threshold event: the cosy corner!
Food brings the family closer
Sharon Anyango moved from Kenya to Maastricht six years ago for the Master in Globalisation and Development.
Upcoming events
Members
Steering Committee
| Eline Couperus | Agustín Parise |
| Livia Solaro | Arthur Willemse |
Members
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| Jochem van Atteveld | Syamsuriatina Binti Ishak | Lars van Vliet | Moramay Koomen | John Cotter |
| Konstantin Jänicke | Anna de Jong | Henrique Jerônimo Bezerra Marcos | Johanna Ritter | Arianna Visconti |
| Frank Nellen | Julieta Marotta | Paul Stewens | Sophia Zaka | Ted Laros |
| Karolina Podstawa | Emma Sanvito | Ann-Sophie Haspel | Remo Verdickt | Emma Patchett |
| Janneke Westra | Sarah Schoenmaekers | Jan Smits | Bianca Tîrnovan | |
| Donna Yates | Paula Lozada Alfaro | Franco Peirone | Emily Sipiorski |
Become a member
Membership in our network will enable you to be informed about our activities and projects. We also welcome your suggestions for potential speakers or themes for our activities that would fit under the Law & Popular Culture umbrella. Additionally, as a member, you will have the opportunity to share projects and to foster synergy across departments/initiatives within the LPC-RN.
Are you interested in joining the Network? Please contact a member of the Steering Committee.
Pillars
The LPC-RN is anchored in the Faculty of Law of Maastricht University by three pillars: the annual Roundtable, the Lecture Series, and the events on Law in Stories (LiSt). These three pillars of the LPC-RN collectively foster a strong academic community that shares an interest in the comprehensive exploration of the intersection between law and popular culture.
Roundtable Series
The Roundtable aims to bring together multiple approaches to the place of law in popular culture. The Roundtable wants to discuss the manner in which popular culture affects law and how it is understood by actors in society. The Roundtable explores law in different environments, such as art and entertainment, as well as cultural movements that constitute phenomena to which the law must relate. Furthermore, besides these general areas within our social reality, the Roundtable is also a space to discuss the legal significance of certain objects that either defy or deplete categorisation.
Lecture Series
By means of establishing a Lecture Series, the LPC-RN involves distinguished scholars who present on the topic. The lectures are open to the entire UM community, including students, non-academic staff, and academic staff. The community at UM Law can only benefit from contrasting their perceptions of law with those of other external actors, exposing our perceptions to experts in other forums, and hence engaging in enriching dialogue.
Law in Stories
The Law in Stories Series (LiSt) aims to bring members of the UM Law community to enter into meaningful discussions about law by engaging with different kinds of media and the law. Through this exploration of media and the law, LiSt seeks to discuss and raise awareness that the law is omnipresent, and a legal perspective can be adopted to all kind of topics in everyday life.
Research Output
Our members engage in different ways of sharing their research output. These manifestations are represented in PhD projects, monographs, scientific chapters and articles, blog entries, conference papers, and cultural exhibits. These are the 10 latest publications by the LPC-RN members. Want to see all of them? Click 'see more research output'.
Latest research output
| 20.06.2025 - Visconti, Arianna -"La ‘parola che taglia’: lo «haiku» come metafora della riflessione critica sul diritto e sulla Giustizia", in P. Bertelloni - G. Forti (a cura di), Haiku per la giustizia. Un modello di stile per ‘parole giuste’, Vita e Pensiero, Milano, pp. 3-24 | 14.02.2025 - Solaro, Livia & van Vliet, Lars - "Foreign Sovereign Immunity in the Altmann Case", ELSA Maastricht film screening 'Woman in Gold' with commentary and Q&A session, Maastricht University (Maastricht, The Netherlands). |
| 23.05.2025 - Visconti, Arianna - "La donna come “outsider”. Oltre il totalitarismo di Gilead", in A. Musio (a cura di), Femminile, corpi e potere. Tre letture de “Il racconto dell'Ancella”, Mimesis, Milano-Udine, pp. 31-73 | 2025 - Visconti, Arianna - "Con quale viso ci staremmo a fronte?». Parola, silenzio, responsabilità, giudizio", in G. Donati - G. Forti - C. Mazzucato - A. Visconti (a cura di), L’esercizio del ‘giusto giudizio’. Dialoghi manzoniani sull'idea di responsabilità e i fondamenti della giustizia, Vita e Pensiero, Milano, pp. 43-93. |
| 15.05.2025 - Solaro, Livia - "Furto al museo di Drents: proseguono le indagini tra tensioni diplomatiche e incertezze giuridiche", News-Art. | 27.11.2024 - Parise, Agustín - “‘Hacemos las tortillas con maíz, no con paciencia’ La función social de la propiedad en ¡Viva Zapata! (1952)”, 6º Encuentro Internacional sobre Cine, Series y Derecho, Universidad de Chile (Santiago, Chile). |
| 02.05.2025 - Jerônimo Bezerra Marcos, Henrique - "The US-China Mirror: TikTok, National Security, and Techno-Nationalism", Opinio Juris | 13.11.2024 - Solaro, Livia - “Il museo etnografico di Ginevra riapre con una nuova missione di decolonizzazione”, Artribune. |
| 01.04.2025 - Solaro, Livia & Jänicke, Konstantin - "Two Pieces of One Puzzle: Italy and Germany Clash Over the Transnational Reach of Cultural Heritage Law Encroaching Upon the Public Domain", Harvard International Law Journal, Online Scholarship | 11.11.2024 - Solaro, Livia - “Case note: de Csepel v. Republic of Hungary [2024] 2024 WL 4345811 (United States District Court, District of Columbia)”, The Institute of Art and Law. |
See more research output
| 07.11.2024 | Parise, Agustín | “Cinema as a Mirror of the Law”, LiSt Law in Stories Session, Maastricht University (Maastricht, The Netherlands). |
| 29.10.2024 | Stewens, Paul P. | “My Genocide, My Responsibility” – The 100’s Massacre at Mount Weather and International Criminal Law, Opinio Juris |
| 21.09.2024 | Solaro, Livia & Yu, Haiyang | “The Under-protection of Underwater Cultural Heritage: Some Considerations in Light of Getty v. Italy”, International Maritime and Transport Law Course, Inter-University Centre (IUC) Dubrovnik (Dubrovnik, Croatia). |
| 24.07.2024 | Solaro, Livia | “Case Review: Getty v. Italy (2024)”, Center for Art Law. |
| 15.05.2024 | Parise, Agustín | “Legal Science and Fairy Tales: A Fruitful Combination”, Opening of the FASoS Pop-up Edition of the Exhibit Once Upon a Law: The Grimm Brothers’ Stories, Language, and Legal Culture, Faculty of Arts and Social Sciences (Maastricht, The Netherlands). |
| 07.05.2024 | Solaro, Livia | “La Chimera + Panel discussion”, Lumière Cinema (Maastricht, The Netherlands). |
| 03.05.2024 | Visconti, Arianna | "Forme del disconoscimento nella narrativa di Thomas Hardy e Margaret Atwood", in G. Donati - G. Forti - C. Mazzucato - A. Visconti (a cura di), Il corpo dell’altro. La parola e la violenza, Vita e Pensiero, Milano, pp. 83-116 |
| 18.03.2024 | Solaro, Livia | “The Law of Restitution: Ethical Ambiguities of the Italian Approach.”, From Linguistic Innovation to Cultural Transformation: Unpacking the Implications of ICOM's New Museum Definition in Italy and France, University of Bologna (Bologna, Italy). |
| 27.01.2024 | Parise, Agustín | “Ius ad bellum e ius in bello en la “Historia de la Guerra” (1942-1946) de Lino Palacio”, VIII Encuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina). |
10.01.2024 | Parise, Agustín; Rabinovich-Berkman, Ricardo & Somovilla, Claudia | “Diálogo de Café: La Historia del Derecho y los Pasados Ficticios”, Universidad de Buenos Aires (Buenos Aires, Argentina) |
29.11.2023 | Parise, Agustín | “La omnipresencia de la codificación del derecho: Reflexiones desde la industria cinematográfica y televisiva de los EE. UU. durante el siglo XX”, 5º Encuentro Internacional sobre Cine, Series y Derecho, Universidad de Chile (Santiago, Chile) |
25.09.2023 | Parise, Agustín | “Censura de Les Misérables (1862) en la primera mitad del siglo XX: La épica travesía de Jean Valjean entre códigos e índices”, Arte y Derecho en Girona, Universitat de Girona (Girona, Spain) |
19.07.2023 | Parise, Agustín & Willemse, Arthur | “Manifestaciones bioéticas en La Lección de Anatomía de Rembrandt y en el diseño del Teatro Anatómico del Archiginnasio de Bolonia”, Artes Visuales y Bioética, Academia Nacional de Medicina (Buenos Aires, Argentina) |
23.06.2023 | Parise, Agustín | “‘What is that sticker sticking on my cultural object?’ Censorship of Victor Hugo’s Les Misérables (1862) in the 1934 Motion Picture Production Code and the 1948 Index Librorum Prohibitorum”, Roundtable on Law and Popular Culture V, Maastricht University (Maastricht, The Netherlands) |
23.06.2023 | Solaro, Livia | “A Legal Education from the Marvel Universe: From Daredevil to She-Hulk”, Roundtable on Law and Popular Culture V, Maastricht University (Maastricht, The Netherlands) |
23.06.2023 | Willemse, Arthur | “Nihilism and Democracy: Moral Argument and Hypocrisy in Populist Political Discourse”, Roundtable on Law and Popular Culture V, Maastricht University (Maastricht, The Netherlands) |
09.03.2023 | Solaro, Livia | “‘Arte Liberata’ – An Exhibition to Investigate the Italian Struggle to Protect the Country’s Cultural Heritage during World War II”, Center for Art Law, available at https://itsartlaw.org/2023/03/09/wywh-arte-liberata-an-exhibition-to-investigate-the-italian-struggle-to-protect-the-countrys-cultural-heritage-during-world-war-ii/ |
| 2023 | Visconti, Arianna | "La fantascienza all’esplorazione dell’«ultima frontiera»: dilemmi etici e conflitti giuridici nell’universo narrativo di «Star Trek», e oltre", in A. Cattaneo - G. Forti - A. Visconti (a cura di), Oltre i confini della realtà. La fantascienza e gli universi distopici della Giustizia, Vita e Pensiero, Milano, pp. 3-37 |
27.10.2022 | Stewens, Paul P. | Reparation for Injuries Suffered in the Service of the Rescue Aid Society: Imagining the UN Through Disney's 'The Rescuers', Opinio Juris |
| 01.10.2022 | Parise, Agustín | “Legal Science through the Lens of Fairy Tales”, Maastricht University Faculty of Law Blogs, available at https://www.maastrichtuniversity.nl/blog/2022/10/legal-science-through-lens-fairy-tales |
09.09.2022 | Parise, Agustín | “Fairy Tales as Mirrors of Local Rules”, Fairy Tales. Once Upon a Law: Three Voices | One Book, PAS – Pleasure, Art & Science (Maastricht, The Netherlands) |
01.09.2022-22.12.2022 | Sitzia, Emilie; Parise, Agustín; Essers, Odin; Prinz, Melissa; Strüder, Kevin; Nelson, Olivia; Moula, Konstantina; Briese, Katja & Gasparri, Elena | “Once Upon a Law: The Grimm Brothers’ Stories, Language, and Legal Culture”, Exhibit at Maastricht University (Maastricht, The Netherlands), available also at https://onceuponalaw.org/ |
31.08.2022 | Parise, Agustín | “Legal Science through the Lens of Fairy Tales”, Opening of the Exhibit Once Upon a Law: The Grimm Brothers’ Stories, Language, and Legal Culture, Maastricht University (Maastricht, The Netherlands) |
08.07.2022 | Solaro, Livia | “All that glitters is not gold: A critical look at the double-sided effects of Nazi looted art litigation in US courts”, Courts as an Arena for Societal Change, Leiden University (Leiden, The Netherlands) |
17.06.2022 | Couperus, Eline | “House & Techno Culture Shaping Law: How the Dancefloor Hurts and Heals ”, Roundtable on Law and Popular Culture IV, Maastricht University (Maastricht, The Netherlands) |
17.06.2022 | Solaro, Livia | “From Walt Disney to Stan Lee: A Comparative Analysis of the Shady Copyright Issues behind Comic Book Legends”, Roundtable on Law and Popular Culture IV, Maastricht University (Maastricht, The Netherlands) |
2022 | Solaro, Livia | Il saccheggio nazista dell’arte europea. Uno Sguardo Comparatistico sul Contenzioso Transnazionale nei Restitution Cases, Franco Angeli ed., Milan, 176 pp. |
22.10.2021 | Parise, Agustín | “A Night in the Museum with Defoe, Covid-19, and the Resilience of Law”, Museumnacht Maastricht, Boekhandel Dominicanen (Maastricht, The Netherlands) |
01.09.2021– ongoing | Solaro, Livia | “Nazi-looted art litigation as restitution of cultural property: the US approach in a comparative perspective”, PhD Project, Maastricht University (Maastricht, The Netherlands) |
31.07.2021 | Parise, Agustín | “El derecho entre los Yahoos en la literatura de Jonathan Swift y Jorge L. Borges”, VIIEncuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina) |
01.03.2021 | Parise, Agustín | “Defoe, Covid-19, and Resilience of Law and Society”, Maastricht University Faculty of Law Blogs, available at https://www.maastrichtuniversity.nl/blog/2021/03/defoe-covid-19-and-resilience-law-and-society |
| 2021 | Visconti, Arianna | "Between “Colonial Amnesia” and “Victimization Biases”: Double Standards in Italian Cultural Heritage Law", in International Journal of Cultural Property, 2021 (28) 4, pp. 551-573 |
2021 | Parise, Agustín | “¿Has oído hablar del Código Napoleón? Codificación y acceso a justicia en la adaptación cinematográfica de Un tranvía llamado Deseo (1951)”, 2 Revista Cine, Televisión y Derecho, pp. 18-33 |
2021 | Parise, Agustín | “Notas sobre la ficción como herramienta para la enseñanza del derecho”, 7 Anamorphosis. Revista Internacional de Direito e Literatura, pp. 355-374 |
04.12.2020 | Parise, Agustín | “`¿Has oído hablar del Código Napoleón?´ Codificación y acceso a justicia en la adaptación cinematográfica de Un tranvía llamado Deseo (1951)”, II Encuentro Internacional sobre Cine, Series y Derecho, Universidad de Chile (Santiago, Chile) |
27.10.2020 | Parise, Agustín | “Resilience of Law and Society: Current Takeaways from Defoe's 1772 Journal of the Plague Year”, Law Talks Series, Maastricht University (Maastricht, The Netherlands) |
01.08.2020 | Parise, Agustín | “`Todo el mundo estaba en paz; no había trabajo para los hombres de leyes:´ La omnipresencia del derecho en El Diario del Año de la Peste (1722) de Daniel Defoe”, VI Encuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina) |
18.06.2020 | Willemse, Arthur | “Judgement in Regina Ullmann’s The Country Road and Franz Kafka’s The Trial”, Roundtable on Law and Popular Culture II, Maastricht University (Maastricht, The Netherlands) |
01.06.2020 | Parise, Agustín | “An Open Laboratory for Characters and Scenarios! The Value of Law and Literature in a PBL Environment”, Maastricht University Faculty of Law Blogs, available at https://www.maastrichtuniversity.nl/blog/2020/06/open-laboratory-characters-and-scenarios |
| 2020 | Visconti, Arianna | "Venti di tempesta e foreste del diritto. Il discorso della legge come argine alla sopraffazione delle narrative emergenziali", in Forti G. (a cura di), Le regole e la vita. Del buon uso di una crisi, tra letteratura e diritto, Vita e Pensiero, Milano, e-book, pp. 55-63 |
| 2020 | Visconti, Arianna | "Alcune considerazioni criminologiche e politico-criminali sulle c.d. fake news", in Jus, 2020/1, pp. 43-71. |
27.07.2019 | Parise, Agustín | “John H. Wigmore, 100 clásicos y novelas jurídicas hispanas”, V Encuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina) |
18.04.2019 | Parise, Agustín | “John H. Wigmore (1863-1943) and Ignacio Winizky (1910-1988): Drawing Pan-American Parallels on the |
| 2019 | Visconti, Arianna | "La «pazienza della terra»: dai percorsi di dominio all'incontro nel cammino. Viaggio letterario nel diritto del patrimonio culturale", in Jus OnLine, 2019/2, pp. 156-202. |
| 2019 | Visconti, Arianna | Voce "Giustizia penale e letteratura", in Diritto Online Approfondimenti Enciclopedici, Istituto dell’Enciclopedia Italiana Giovanni Treccani, Roma. |
29.07.2017 | Parise, Agustín | “Ius Commune y la Vida de un Coloso: La Obra Teatral como Herramienta para la Enseñanza de la Historia del Derecho”, III Encuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina) |
| 2017 | Visconti, Arianna | "A ‘Narrative’ of the Individual-Community Relationship through the ‘Lenses’ of Criminal Law: Three Sketches of Mystification", in Pólemos. Journal of Law, Literature and Culture, 2017/2, pp. 299-325 |
| 2017 | Visconti, Arianna | "Memoria e comprensione dell’‘altro’ tra difesa sociale e garanzie individuali: la prospettiva giusletteraria per un diritto penale democratico", in Jus, 2017/1, pp. 35-81 |
| 2017 | Visconti, Arianna | "Narrazioni di ingiustizia, giustizia come narrazione. L’esperienza sudafricana come “sperimentazione giusletteraria”", in G.L. Potestà - C. Mazzucato - A. Cattaneo (a cura di), Storie di giustizia riparativa. Il Sudafrica dall’apartheid alla riconciliazione, Il Mulino, Bologna, pp. 81-97 |
30.07.2016 | Parise, Agustín | “La ficción como herramienta para la enseñanza del derecho: Escenarios ficticios, método socrático y aprendizaje basado en problemas”, II Encuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina) |
| 2016 | Visconti, Arianna | "Narratività, narrazione, narrazioni: giustizia come ‘apertura’", in G. Forti - C. Mazzucato - A. Visconti (a cura di), Giustizia e letteratura III, Vita e Pensiero, Milano, 2016, pp. 2-49 |
| 2016 | Visconti, Arianna | "Giudici ‘di carta’ e giudici ‘di ferro’. L’immagine della giustizia amministrata nella letteratura ottocentesca", in G. Forti - C. Mazzucato - A. Visconti (a cura di), Giustizia e letteratura III, Vita e Pensiero, Milano, pp. 228-259 |
01.08.2015 | Parise, Agustín | “Los ‘Cuentos’ de los Hermanos Grimm: Un Crisol para el Derecho, la Historia y el Folklore”, I Encuentro Internacional Ficción y Derecho, Facultad de Derecho, Universidad de Buenos Aires (Buenos Aires, Argentina) |
| 2014 | Visconti, Arianna | "Precetto, valore, sanzione: categorie giuridiche ‘sotto processo’ in Melville", in G. Forti - C. Mazzucato - A. Visconti (a cura di), Giustizia e letteratura II, Vita e Pensiero, Milano, pp. 331-363 |
| 2014 | Visconti, Arianna | "Streghe, avvelenatrici, assassine: donne a giudizio, tra stereotipi culturali e fallacie cognitive", in G. Forti - C. Mazzucato - A. Visconti (a cura di), Giustizia e letteratura II, Vita e Pensiero, Milano, pp. 387-427 |
| 2014 | Visconti, Arianna | "Narrare per testimoniare, narrare per giudicare", in G. Forti - C. Mazzucato - A. Visconti (a cura di), Giustizia e letteratura II, Vita e Pensiero, Milano, pp. 616-621 |
| 2012 | Visconti, Arianna | "«Stupidità del male» e «intelligenza delle emozioni»: compassione, pensiero e memoria come antidoti al male organizzato", in G. Forti - C. Mazzucato - A. Visconti (a cura di), Giustizia e letteratura I, Vita e Pensiero, Milano, pp. 368-397 |
Blogs
Object- and Problem-Based Learning (OBL & PBL): A Fruitful Amalgamation for the Development of Legal Education
- Law
Patrons at the Arthur W. Diamond Law Library at Columbia University (USA) can encounter a duplicate of an automobile wheel that relates to the 1916 court case heard by Judge Benjamin Cardozo in MacPherson v. Buick Motor Co. The wheel is an object that hangs on a wall on the fourth floor of the library. Instructors could take the wheel to the classroom when dissecting that landmark case and when dealing with the core problem around the case: product liability. The use of the wheel helps to materialise the elements that are addressed in the court reporter, in the casebook, and in the daily-life situation that motivated the decision. Similar educational experiences can take place when students are welcomed at a rare book room and encounter for the first time a medieval copy of the Corpus Iuris Civilis. Some experiences are indeed indelible and help visualise what dozens of prescribed readings and explanations by an instructor cannot make easily evident and memorable.
Solo l’Italia? Gabry Ponte’s Eurovision song underlines striking limitations to Italy’s effective control over its cultural heritage imagery
- Law
The staging of San Marino representative’s performance during Eurovision might be in violation of Italian cultural heritage law – yet, the principle of territoriality prevents Italy from taking effective legal action.
An Academic Game-Changer: Seeing Hugo Through a Modern Juridical Lens
- Law
On the 7th and 8th of May, 2025, the event “Hugo and the Law” was held at the Faculty of Law of Maastricht University. As a student in my second year of LL.B., I decided to participate, hoping to learn new philosophical ideas, especially seeing that professors and researchers from other countries would hold presentations.
In Algorithms We Trust? TikTok in the Digital Cold War
- Law
On the 3rd of February 2025, the Law & Popular Culture Research Network hosted the discussion panel “Whatever Happened to TikTok?”, aimed at diving into the current political and social developments around this platform. Moderator Livia Solaro welcomed experts Valentina Golunova, Jerry Spanakis, Konrad Kollnig, Monica Garcia-Salmones Rovira and Henrique Jerônimo Bezerra Marcos. Each speaker brought a different perspective with valuable insights into the current TikTok situation.
The Legal Philosophy of Role-Playing Games
- Law
In this blog, Michele Ubertone aims to show that the cognitive and rational skills that are involved in role-playing are also at the heart of legal practice. Cognitive developments we all go through in the early stages of our lives, train and develop a distinctive cognitive ability, a form of rationality that is intrinsic both to law and to literature.
Previous events
Hugo and the Law
7 & 8 May 2025 @ Faculty of Law
Whatever happened to TikTok
3 February 2025 @ Faculty of Law
MACCH Spark Session with Gregory Zinman on Art in 1980s NYC Nightclubs
30 January 2025 @ Faculty of Arts and Social Sciences
Ius Commune Workshop: New Developments in Art Law
29 November 2024 @ Utrecht
Film screening from the Law and Art course: The Treasures of Crimea
11 November 2024 @ Maastricht University Faculty of Law
La Chimera + Panel discussion
7 May 2024 @ Lumière Cinema
Globalisation & Law Network seminar with Eduardo Arenas Catalán
On 26 November 2024, the Globalisation & Law Network hosted a seminar featuring Eduardo Arenas Catalán, A
The afternoon workshop took place at the attic of the Faculty of Arts and Social Sciences and focused on ‘good collaborations’ in classical music. Prof. dr. Peter Peters started the workshop by interviewing Dr. Stephanie Pitts from Sheffield University. Dr. Pitts spoke about her trajectory with audience research and introduced the project ‘Networked Innovation in Classical Music’ which was sponsored by the Arts and Humanities Research Council in the UK. The aim of the network is to bring together classical music researchers, practitioners and audiences in seven cities across the UK, the Netherlands and Austria.
Dr. Sarah Price from the University of Liverpool shared her experiences with collaborative audience research in the UK over a span of 11 years. Dr. Price stressed the importance of understanding the differences in research approach between the classical music sector and academics as well as stressing the importance of rapport with the people you will work with.
Dr. Karolien Dons from the Hanze University of Applied Sciences shared her experience in collaborations with musicians in healthcare. In her research, Dr. Dons observed what ‘good’ interprofessional collaboration can bring and her reflection on when these collaboration work and when they don’t work.
Dr. Floris Meens from Radboud Universiteit presented his reflections on ‘good’ collaboration as researcher and member of the management of the Nijmegen Foundation for Chamber Music (NSvK). He described a few collaborative projects the NSvK has been involved with together with other organizations in Nijmegen such as conservatories, universities, young talented musicians, radio and friends and sponsors.
The workshop closed with a presentation that was ‘closer to home.’ Dr. Veerle Spronck, researcher at MCICM and associate lector the Utrecht School of the Arts (HKU), shared her experiences as researcher during the project ‘Philstories: Music from Mariaberg.’ For this concert, the orchestra Philzuid wanted to introduce themselves to their new neighbors and involve them in a collaborative concert. MCICM and Philzuid joined forces with the Mariaberg Neighbourhood Network. The workshop concluded with informal discussions among the participants.
We would like to thank all the speakers and participants for taking time to join us for this workshop.