MCICM News, Articles and Press

FASoS Master student Jorge Lozano Diaz writes thesis ‘Boundaries We Hear but Cannot See’

^{Article and picture}

Research in the workplace 

Peter Peters

The audience as a test subject

 ^{Neil T. Smith and Peter Peters}

Lorentz Workshop Leiden 2022

 ^{Co-hosted by MCICM researchers}
 

Musicians of Tomorrow

 ^{Peter Peters}

Behind the scenes

 ^{Peter Peters}

PhD Defense Veerle Spronck

 ^{Read the article}

Futures

 ^{Neil T. Smith and Peter Peters}

A learning orchestra

 ^{Peter Peters and Ties van de Werff}

How does Maastricht Northwest sound?

 ^{Ties van de Werff, Imogen Eve Cooney and Peter Peters}

Listening to Beethoven differently

 ^{Peter Peters}

Listening like and ethnographer

 ^{Veerle Spronck}

Sounding Heritage

 ^{Denise Petzold}

 "The Same but Differently"

 ^{Imogen Eve}

The Concert Hall and the Orchestra

 ^{Neil Thomas Smith}

Digital message in a bottle?

 ^{Peter Peters and Ties van de Werff}

Etudes for a new classical music practice

 ^{Interview with Peter Peters}

Innovating with Conservatorium Maastricht

 ^{Read the article}

First Experiment of MCICM: Mahler am Tisch

 ^{Article and video}

The People's Salon
 

 ^{Ties van de Werff, Imogen Eve and Peter Peters}

“Symphony orchestras are well-oiled machines; they don’t tend to initiate change”

 ^{Peter Peters in Observant}

Sitting still in a hall? A classical concert can be different.

 ^{Veerle Spronck in NRC
(article in Dutch)}

The orchestra has to change, and so does the audience

 ^{Eindhovens Dagblad
(article in Dutch)}

Performing in winter: creating COVID-safe super venues and sharing the stage

 ^{Neil Thomas Smith in The Conversation}

Do not forget Culture Audience

 ^{Veerle Spronck in Trouw 
 (article in Dutch)}