The significance of bells as music and sound in public space was the central theme during a study day on 3 September, organised by the Maastricht Centre for the Innovation of Classical Music of Maastricht University (www.mcicm.nl). The occasion for the study day was a concert by philharmonie zuidnederland on the same day which included the world premiere of the composition Rublev & Rembrandt written by the Russian composer Olga Victorova. In it, the carillon expresses the connection between the (sound) worlds of the Netherlands and Russia (www.philharmoniezuidnederland.nl).
The study day took place in the Pandhof
of the Basilica of St. Servatius in Maastricht.

The program consisted of short lectures by Karin Bijsterveld (Maastricht University), Peter Peters (Maastricht University), Luc Rombouts (city carillonneur Tienen and university carillonneur Leuven) and Dyon Scheijen (Adelante Hoensbroek). Carillonneur Frank Steijns and violinist Lin Jong also gave a short concert from the tower of St. Servaas Basilica.
The lectures of each speaker are below. Because all presentations took place in Dutch, the lectures are also in Dutch.
- 'The bell and the clapper: How do you investigate a soundscape?' by Karin Bijsterveld
- 'The new usefulness of old bells' by Luc Rombouts
- 'Sounding like a bell: bells in classical music' by Peter Peters
- 'Hearing is more than our ears: what our brain does with sound' by Dyon Scheijen