23 Jun
09:30 - 17:30

Roundtable Law and Popular Culture V

The Roundtable aims to bring together multiple approaches to the place of law in popular culture.

Motivation

The Roundtable wants to bring out the manner in which popular culture affects law and its understanding by actors in society. The Roundtable explores law in different environments, such as art and entertainment, as well as cultural movements that constitute phenomena to which the law must relate. Furthermore, besides these general areas within our social reality, the Roundtable is also a space to discuss the legal significance of certain objects that either defy or deplete categorization.
Over the last four years the Roundtable has become a relied upon forum, within the Faculty of Law of Maastricht University, to discuss approaches to these areas of study. The Roundtable aims above all to underline the value that non-conventional approaches to law offer to the better understanding of social science.

Organisation

This event is organized by Agustín Parise and Arthur Willemse, with the support of the Science Committee of the Faculty of Law of Maastricht University.

Programme

09.30 hrsAgustín Parise: Opening Remarks
 Keynote Address
09.35 hrsDonna Yates
T. Rex is Fierce, T. Rex is Charismatic, T. Rex is Litigious: Desire and Disruptive 
Objects in Affective Lawscapes
10.15 hrsBreak
 First Session
Moderator: Eline Couperus
10.30 hrsAna Fukai Sánchez Miguel Castro
A 'Wretched Mockery of Justice': The Romantic Arbitrariness of Criminal Law 
in Mary Shelley's Frankenstein
10.45 hrsDiscussion
11.00 hrsArthur Willemse
Nihilism and Democracy: Moral Argument and Hypocrisy in Populist 
Political Discourse
11.15 hrsDiscussion
11.30 hrsLaura Smeșnoi
Racial Segregation in To Kill a Mockingbird The Role of Atticus Finch 
in Shifting Jim Crow Laws
11.45 hrsDiscussion
12.00 hrsLunch
 Second Session
Moderator: Laura Smeșnoi
13.30 hrsMichele Ubertone
Gotta catch 'em all! An Analysis of Pokémon Go through Kelsen’s 
Theory of Imputation
13.45 hrsDiscussion
14.00 hrsHenrique Marcos
A Song of Fan Theories and Legal Interpretation
14.15 hrsDiscussion
14.30 hrsMaia Del Priore
A System within the System: Omertà, Mafia, and State in Sciascia’s 
The Day of the Owl
14.45 hrsDiscussion
15.00 hrsBreak
 Third Session
Moderator: Maia Del Priore
15.15 hrsNicole Binder
Immorality and Illegitimacy in Oliver Twist as a critique of the 
‘Bastardy Clause’ of the 1834 New Poor Law
15.30 hrsDiscussion
15.45 hrsAgustín Parise
‘What is that sticker sticking on my cultural object?’ Censorship of 
Victor Hugo’s Les Misérables (1862) in the 1934 Motion Picture 
Production Code and the 1948 Index Librorum Prohibitorum
16.00 hrsDiscussion
16.15 hrsLivia Solaro
A Legal Education from the Marvel Universe: From Daredevil to She-Hulk
16.30 hrsDiscussion
16.45 hrsBreak
16.55 hrsGeneral Discussion
Moderator: Eric van de Luijtgaarden
17.15 hrsArthur Willemse: Closing Remarks