Hamadah, F. (2026). Theatre as the Genre of Oil: Performance, Visibility and Modernisation in the Kuwaiti Petro-State. In T. De Loughry, S. Deckard, K. Oloff, & C. Westall (Eds.), Routledge Companion to World Literature and the Environment (pp. 161-171). Taylor and Francis. https://doi.org/10.4324/9781003176770-12
Hamadah, F. (2024). ‘Can Everyone Hear Me?’: Arab Digital Performance and Border Crossing on UK Stages. In R. Ali, G. Potter, & S. Al-Saber (Eds.), Arabs, politics, and performance Routledge/Taylor & Francis Group. https://doi.org/10.4324/9780367815516-12
Hamadah, F., & Parry-Davies, E. (2023). Colonialism Reiterated: The Racialised Division of Labour in Higher Education and Beyond. Global Performance Studies, 5(1-2). https://doi.org/10.33303/gpsv5n1-2a107
Hamadah, F. (2022). Kafala and Social Reproduction: Migration Governance Regimes and Labour Relations in the Gulf. In C. A. Ennis, & N. Blarel (Eds.), The South Asia to Gulf Migration Governance Complex (pp. 173-189). Bristol University Press. https://doi.org/10.51952/9781529221510.ch008