Dr Veerle Spronck (V.G.A.J.)

van de Werff, T., Spronck, V., & Eve, I. (2023). “Mahler am Tisch”: Experimenting with Imagined and Emergent Audiences. In C. Dromey (Ed.), Routledge Companion for Applied Musicology (pp. 275-284). Routledge.

Spronck, V., & Hübner, F. (2023). Music in Society: Three Perspectives. In Shifting Boundaries: Situating Contemporary Music Practices (pp. 74-99). November Music. https://www.novembermusic.net/cache/shifting-boundaries-2023.10976/shifting-boundaries-2023.pdf

Spronck, V. (2022). Beethoven as open dialogue: Doing participation differently in symphonic music? In R. Benschop, C. Rausch, E. Sitzia, & V. van Saaze (Eds.), Participatory practices in arts and heritage: Learning through and from collaboration (pp. 159-170). Springer. https://doi.org/10.1007/978-3-031-05694-9_12

Spronck, V. (2021). Heliostaat. In K. Bijsterveld (Ed.), Uitgepakt/Unboxed: Instruments for science and technology in Centre Céramique (pp. 118-121). Uitgeverij Verloren.