Vivian van Saaze (V.E.J.P.)

van de Vall, R., & van Saaze, V. (2023). Introduction to the Volume. In R. van de Vall, & V. van Saaze (Eds.), Conservation of Contemporary Art: Bridging the Gap between Theory and Practice (1 ed., pp. 1-13). Springer. https://doi.org/10.1007/978-3-031-42357-4_1

Laurenson, P., van Saaze, V., & van de Vall, R. (2022). Bridging the Gaps between Theory and Practice through Cross-Institutional Collaboration in the Conservation of Contemporary Art. In A. Swinnen, A. Kluveld, & R. van de Vall (Eds.), Engaged Humanities: Rethinking Art, Culture, and Public Life (pp. 271-304). Amsterdam University Press. https://doi.org/10.2307/j.ctv2rcnqpt.14

Rausch, C., Benschop, R., van Saaze, V., & Sitzia, E. (2022). Introduction to the Volume. In C. Rausch, R. Benschop, E. Sitzia, & V. van Saaze (Eds.), Participatory Practices in Art and Cultural Heritage: Learning Through and from Collaboration (pp. 3-11). Springer. https://doi.org/10.1007/978-3-031-05694-9_1

Nofal, E., van Saaze, V., & Wyatt, S. (2022). Online Participatory Design of Heritage Projects. In C. Rausch, R. Benschop, E. Sitzia, & V. van Saaze (Eds.), Participatory Practices in Art and Cultural Heritage: Learning Through and from Collaboration (pp. 83-98). Springer. https://doi.org/10.1007/978-3-031-05694-9_7

van Saaze, V. (2020). 3D printing in arts and heritage: renegotiating relationships between the original and the replica. In J. McCutcheon, & A. Ramalho (Eds.), International perspectives on disability exceptions in copyright law and the visual arts: Feeling Arts (pp. 44-52). Routledge/Taylor & Francis Group. https://doi.org/10.4324/9780429342677-5