towards_2040_symposium_invitation.pdf
(275.73 kB, PDF)
… for future musicians, technology, future performance formats, curation, the future of the concert hall, and politics and inclusion. We will also have discussion tables where participants can engage with each other in smaller and more focused exchanges as well as a closing roundtable titled ‘Whose Future?’ The MCICM symposium aims to stimulate a supportive and fruitful dialogue in order to better understand what ingredients lead to successful innovation in classical music. The symposium … of training and experience on performer attitudes to innovation Stephanie Pitts, University of Sheffield, UK Karen Burland, University of Leeds, UK Tom Spurgin, Manchester Collective, UK Adam Szabo, Manchester Collective, UK Experiences of live vs online performance Michelle Philips, Royal Northern College of Music, UK Audience Experience in Film-with-Live-Orchestra Concerts: Towards a Theory of Liveness Sureshkumar P. Sekar, Royal College of Music, UK Classical Music and Contemporary Visual … Touch in Music Mieko Kanno, University of the Arts Helsinki, Finland Bringing the political into Western classical music Hanna Grześkiewicz, ‘The Hermes Experiment’ and Alternative Classical, Germany Sound is Therefore Colour: How to offer an engaging online performance Tatjana Ostrovska, Guildhall School of Music and Drama, UK Can performance techniques make the future of classical music more inclusive? Ilona Sie Dhian Ho, Royal Conservatoire, the Netherlands Interactive multimedia music …