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… on these questions by engaging with the criticality and the needs and demands of ‘the critical visitor’ to heritage spaces, as imagined or actually articulated. Over a period of four years, we met in different constellations and different settings, online during the Covid pandemic, to learn from each other and to find ways of supporting each other in our search for more equitability. The project was set 16 17 GATHERING CRITICAL VISITORS TOGETHER up based on the idea of ‘practice what you preach’, … GATHERING CRITICAL VISITORS TOGETHER Reading guide This book in the series Work in Progress is directly inspired by the first volume in this series, Words Matter, which quickly became a text for institutions and organizations to use for workshops, reflection groups, and ideation sessions. Similarly, while it is an incomplete guide, and nothing should be followed to the letter, we encourage you to read it according to the key words that interest you. In each contribution we have included … have there been no great women artists?,” Art News 69 (January 1971), reprinted in Women, Art and Power and Other Essays (New York: Harper & Row, 1988), 145–178. 7 Eliza Steinbock, “Collecting Creative Transcestors: Trans* Portraiture Hirstory, from Snapshots to Sculpture,” in A Companion to Feminist Art, ed. Hilary Robinson and Maria E. Buszek (Hoboken, NJ, USA: Wiley, 2019), 225–242. 8 Cindy Nemser interview with Eva Hesse, 20 January 1970, Getty Research Institute: …