garcia_celma_marta.pdf
(6.8 kB, PDF)
… show that today, certain artworks are no longer considered authentic because of their initial materiality, but due to different functions and values attributed to them. For years, artist intent has been considered, researched and observed as a core voice attributing the values that grant authenticity to artworks and has been presented as a central part of the conservation decision-making model for contemporary artworks. Furthermore, as argued by scholars object’s given-values appear ascribed … of working towards finding a model for value attribution in which relevant stakeholders’ voices appear represented. Illustrated by case studies from photographs from The Dusseldorf School of Photography in which reproduction was selected as the best conservation strategy, this paper introduces the conservator as the agent of change in an imaginary space called the trading zone and presents the first attempts of using Critical System Heuristic (CSH) (Ulrich 1983) as a framework for developing … Art.(SBMK 1999) This paper nurtures itself from theory on the conservation of modern and contemporary artworks, sociological studies focusing on heritage’s values, systems of thinking, and from business ethics and organizational management when regarding stakeholder theory. (SBMK), The Foundation for the Conservation of Contemporary Art. 1999. “The Decision-Making Model for the Conservation and Restoration of Modern and Contemporary Art. Jones, Siân, Stuart Jeffrey, Mhairi Maxwell, Alex …