MCICM Symposium 2021

^{Moderator: Joachim Junghanss, Conservatorium Maastricht, the Netherlands}

^{Becoming a classical musician of the future: the effects of training and experience on performer attitudes to innovation
Sprekers: Stephanie Pitts, University of Sheffield, UK; Karen Burland, University of Leeds, UK; Tom Spurgin, Manchester Collective, UK; Adam Szabo, Manchester Collective, UK}

^{Moderator: Denise Petzold, MCICM, the Netherlands}

^{Experiences of live vs online performance
Spreker: Michelle Philips, Royal Northern College of Music, UK
Audience Experience in Film-with-Live-Orchestra Concerts: Towards a Theory of Liveness
Spreker: Sureshkumar P.Sekar, Royal College of Music, UK
Classical Music and Contemporary Visual Art: Innovative Performance and Listening in the Works of the Artist Anri Sala
Spreker: Noga Rachel Chelouche, Tel-Aviv University, Israel}

^{Moderator: Peter Peters, MCICM, the Netherlands}

^{Orchestrating Positive Change Leaders on (and off) Stage: supporting the best to become even better
Sprekers: Jane Booth, Guildhall School, UK; Trudy Wright, Guildhall School, UK
The Rise of the Individual: Leveraging Social Currency and Personal Branding in the Future of Classical Music
Spreker: Jenny Maclay, Brandon University, Canada
Meaningful Music in Healthcare: Classical musicians inside hospital wards
Spreker: Krista de Wit, Prince Claus Conservatoire, Hanze University of Applied Sciences Groningen, the Netherlands}

^{What Could Curatorial Practices Mean for the Future of Classical Music?
Sprekers: Ed McKeon, Goldsmiths University of London, UK; Brandon Farnsworth, Zurich University of the Arts, Switzerland; Mirjam Zegers, ArtEZ, the Netherlands; Annemarie Reitsma, ArtEz, the Netherlands}

^{Moderator: Stefan Rosu, philharmonie zuid, the Netherlands}

^{Producing futures: how futures matter in the present
Harro van Lente, Maastricht University, the Netherlands}

^{Moderator: Ties van de Werff, MCICM, the Netherlands}

^{Artificial Intelligence and the Orchestra
Spreker: Robert Laidlow, Royal Northern College of Music, UK
Gameful Music Performances for Smart, Inclusive, and Sustainable Societies
Sprekers: Micha Hamel, Royal Academy of the Arts, the Netherland; Annebeth Erdbrink, Delft University for Technology, the NetherlandsRemote Collaboration: Communication, Creativity, and Latency
Spreker: David Cotter, University of Cambridge, UK}

^{Moderator: Joachim Junghanss, Conservatorium Maastricht, the Netherlands}

^{Händel goes Tinder: Reimagining opera for a 21st-century audience
Sprekers: Channa Malkin, OperaBitchesand Stichting Gooisch Klassiek, the Netherlands; Anastasia Kozlova, OperaBitchesand Stichting Gooisch Klassiek, the Netherlands
“Alice in the Pandemic” An opera for the Pandemic and the Promise of New Possibilities
Sprekers: Cerise Jacobs, Founder, Creator and Librettist, Producer, White Snake Projects; Jorge Sosa, Composer and Electronic Sound Artist; Tianhui Ng, Conductor and Music Director
The Fish’s Letters: A Facebook-Opera?
Spreker: Maia Sigua, VanoSarajishvili,Tbilisi State Conservatoire, Georgia}

^{Moderator: Neil Smith, MCICM, the Netherlands}

^{Monsieur Croche -Concerts at Eye Level
Spreker: Tal Walker, Royal College of Music, UK
Creating futures: the shifting practice of the Composer-performer in the Lockdown era
Spreker: Josh Spear, Norwegian Academy of Music, Norway
SaffronHall Faces the Future
Sprekers: Angela Dixon, CEO Saffron Hall; Barry Ife, Chairman of the Saffron Hall Trust}

^{Moderator: Peter Peters, MCICM, the Netherlands}

^{The Voice Party: Participatory Principles and the Future of Musical Performance
Spreker: Lore Lixenberg, University of York, UK
Bringing the political into Western classical music
Spreker: Hanna Grześkiewicz, ‘The Hermes Experiment’ and Alternative Classical, Germany
Can performance techniques make the future of classical music more inclusive?
Spreker: Ilona Sie Dhian Ho, Royal Conservatoire, the Netherlands}

^{Moderator: Peter Peters, MCICM, the Netherlands}

^{Future challenges: Can art make constructive contributions to solving current civil society challenges and what roles can classical concerts or opera performances play in this?
Helmut Seidenbusch, Director for Cultural Education atStiftung Mercator, Germany}

^{Moderator: Neil T. Smith, MCICM, the Netherlands}

^{Whose Future?
Sprekers:Kirsteen Davidson Kelly, Schottish Chambre Orchestra, UK; George E. Lewis, Columbia University, USA; Maria Hansen, ELIA European Art School Confederation, the Netherlands
Slotopmerkingen door Peter Peters, MCICM, the Netherlands}