MCICM Symposium 2021

Woensdag 21 April 2021

• 

  Sessie 1a Musicians of the Future

  ^{Moderator: Joachim Junghanss, Conservatorium Maastricht, the Netherlands}

  ^{Becoming a classical musician of the future: the effects of training and experience on performer attitudes to innovation
  Sprekers: Stephanie Pitts, University of Sheffield, UK; Karen Burland, University of Leeds, UK; Tom Spurgin, Manchester Collective, UK; Adam Szabo, Manchester Collective, UK}

  Video
• 

  Sessie 1b Future Performance formats

  ^{Moderator: Denise Petzold, MCICM, the Netherlands}

  ^{Experiences of live vs online performance
  Spreker: Michelle Philips, Royal Northern College of Music, UK
  Audience Experience in Film-with-Live-Orchestra Concerts: Towards a Theory of Liveness
  Spreker: Sureshkumar P.Sekar, Royal College of Music, UK
  Classical Music and Contemporary Visual Art: Innovative Performance and Listening in the Works of the Artist Anri Sala
  Spreker: Noga Rachel Chelouche, Tel-Aviv University, Israel}

  Video
• 

  Sessie 2a Future Musicians and Professional Development

  ^{Moderator: Peter Peters, MCICM, the Netherlands}

  ^{Orchestrating Positive Change Leaders on (and off) Stage: supporting the best to become even better
  Sprekers: Jane Booth, Guildhall School, UK; Trudy Wright, Guildhall School, UK
  The Rise of the Individual: Leveraging Social Currency and Personal Branding in the Future of Classical Music
  Spreker: Jenny Maclay, Brandon University, Canada
  Meaningful Music in Healthcare: Classical musicians inside hospital wards
  Spreker: Krista de Wit, Prince Claus Conservatoire, Hanze University of Applied Sciences Groningen, the Netherlands}

  Video

• 

  Sessie 2b Curation and Concert Formats

  ^{What Could Curatorial Practices Mean for the Future of Classical Music?
  Sprekers: Ed McKeon, Goldsmiths University of London, UK; Brandon Farnsworth, Zurich University of the Arts, Switzerland; Mirjam Zegers, ArtEZ, the Netherlands; Annemarie Reitsma, ArtEz, the Netherlands}

  Video
• 

  Keynote lecture

  ^{Moderator: Stefan Rosu, philharmonie zuid, the Netherlands}

  ^{Producing futures: how futures matter in the present
  Harro van Lente, Maastricht University, the Netherlands}

  Video

Donderdag 22 April 2021

• 

  Sessie 3a The Promise of Technology

  ^{Moderator: Ties van de Werff, MCICM, the Netherlands}

  ^{Artificial Intelligence and the Orchestra
  Spreker: Robert Laidlow, Royal Northern College of Music, UK
  Gameful Music Performances for Smart, Inclusive, and Sustainable Societies
  Sprekers: Micha Hamel, Royal Academy of the Arts, the Netherland; Annebeth Erdbrink, Delft University for Technology, the NetherlandsRemote Collaboration: Communication, Creativity, and Latency
  Spreker: David Cotter, University of Cambridge, UK}

  Video
• 

  Sessie 3b Opera Futures

  ^{Moderator: Joachim Junghanss, Conservatorium Maastricht, the Netherlands}

  ^{Händel goes Tinder: Reimagining opera for a 21st-century audience
  Sprekers: Channa Malkin, OperaBitchesand Stichting Gooisch Klassiek, the Netherlands; Anastasia Kozlova, OperaBitchesand Stichting Gooisch Klassiek, the Netherlands
  “Alice in the Pandemic” An opera for the Pandemic and the Promise of New Possibilities
  Sprekers: Cerise Jacobs, Founder, Creator and Librettist, Producer, White Snake Projects; Jorge Sosa, Composer and Electronic Sound Artist; Tianhui Ng, Conductor and Music Director
  The Fish’s Letters: A Facebook-Opera?
  Spreker: Maia Sigua, VanoSarajishvili,Tbilisi State Conservatoire, Georgia}

  Video
• 

  Sessie 4b The Future of the Concert Hall

  ^{Moderator: Neil Smith, MCICM, the Netherlands}

  ^{Monsieur Croche -Concerts at Eye Level
  Spreker: Tal Walker, Royal College of Music, UK
  Creating futures: the shifting practice of the Composer-performer in the Lockdown era
  Spreker: Josh Spear, Norwegian Academy of Music, Norway
  SaffronHall Faces the Future
  Sprekers: Angela Dixon, CEO Saffron Hall; Barry Ife, Chairman of the Saffron Hall Trust}

  Video

• 

  Sessie 5b Politics and Inclusion

  ^{Moderator: Peter Peters, MCICM, the Netherlands}

  ^{The Voice Party: Participatory Principles and the Future of Musical Performance
  Spreker: Lore Lixenberg, University of York, UK
  Bringing the political into Western classical music
  Spreker: Hanna Grześkiewicz, ‘The Hermes Experiment’ and Alternative Classical, Germany
  Can performance techniques make the future of classical music more inclusive?
  Spreker: Ilona Sie Dhian Ho, Royal Conservatoire, the Netherlands}

  Video
• 

  Keynote lecture

  ^{Moderator: Peter Peters, MCICM, the Netherlands}

  ^{Future challenges: Can art make constructive contributions to solving current civil society challenges and what roles can classical concerts or opera performances play in this?
  Helmut Seidenbusch, Director for Cultural Education atStiftung Mercator, Germany}

  Video
• 

  Ronde tafel en Sluiting

  ^{Moderator: Neil T. Smith, MCICM, the Netherlands}

  ^{Whose Future?
  Sprekers:Kirsteen Davidson Kelly, Schottish Chambre Orchestra, UK; George E. Lewis, Columbia University, USA; Maria Hansen, ELIA European Art School Confederation, the Netherlands
  Slotopmerkingen door Peter Peters, MCICM, the Netherlands}

  Video