Amalia Calderón and Megan Hoetger will share insights into Gift Science Archive, a monumental 18-month collaborative performance of archiving – or archive performance – initiated by the Dutch American artist Sands Murray-Wassink, which was  commissioned by “If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution“ as part of their Edition VIII - Ritual and Display biennial programme. The performance — and, with it, the production of an inventoried and preserved archive — has foregrounded the intergenerational processes of remembering involved in the act(s) of cataloging, placing emphasis on the webs of social relations holding objects together in affective fields. As such, it has been an experiment in re-thinking value production through “documentation.”

Mark Waugh will present the work of Art360 Foundation, an independent charity providing artists and estates with consultation and practical support towards archiving and legacy planning. The Art360 Foundation aims to empower artists and their representatives to preserve a life’s work through archival and legacy support. It wants to preserve and make visible previously unseen aspects of the UK’s cultural heritage for present and future generations through a bursary programme, public events and learning opportunities. The Art360 Foundation Programme promotes the diverse contributions of visual artists to society and the expertise of freelancers who are critical in supporting the preservation of artists’ archives.

This Networks of Care event marks the launch of the newly established collaborative research network “LACUNAE - Contemporary Artists´ Estates between Public Heritage and Private Inheritance.” LACUNAE brings together public institutions, non-governmental organizations and private actors, to pursue three main aims: 1) taking stock of the current connections and disconnections in networks of care around contemporary artists' estates and how they serve to include and exclude certain artistic practices and marginalized groups; 2) advancing and advocating for current networks of care and the management of marginalised artists' estates; and 3) developing possible new connections in networks of care that will allow for greater collaboration between public and private actors in the future.