Bijsterveld, K. (2019). Sonic Skills: Listening for Knowledge in Science, Medicine and Engineering (1920s-present) . Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-59829-5

Bijsterveld, K. T. (2018). Sound Waves of Protest: Noise Abatement Movements. In M. Bull (Ed.), The Routledge Companion to Sound Studies New York [etc.]: Routledge/Taylor & Francis Group.

Bijsterveld, K. T. (2016). Ethnography and Archival Research in Studying Cultures of Sound. In J. G. Papenburg, & H. Schulze (Eds.), Sound as Popular Culture Research Companion (pp. 99-109). Cambridge, MA: MIT.

Bijsterveld, K. T. (2015). Ears-on Exhibitions: Sound in the History Museum. The Public Historian, 37(4), 73-90. https://doi.org/10.1525/tph.2015.37.4.73

Bijsterveld, K. T., Cleophas, E. M., Krebs, S., & Mom, G. (2014). Sound and Safe: A History of Listening behind the Wheel. Oxford and New York: Oxford University Press.

Bijsterveld, K. T. (2013). Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. (Sound Studies Series; No. No. 5). Bielefeld: Transcript.

Bijsterveld, K. T. (2012). Listening to Machines: Industrial Noise, Hearing Loss and the Cultural Meaning of Sound. In J. Sterne (Ed.), The Sound Studies Reader (pp. 152-167). New York: Routledge/Taylor & Francis Group.

Bijsterveld, K. (2019). Sonic Skills: Listening for Knowledge in Science, Medicine and Engineering (1920s-present) . Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/978-1-137-59829-5

Bijsterveld, K. (2019). Weg van het lawaai: Geschiedenis van geluid in en om de auto. Rubinstein.

Semmerling, L., Peters, P., & Bijsterveld, K. (2018). Staging the Kinetic: How music automata sensitise audiences to sound art. Organised Sound, 23(3), 235-245. https://doi.org/10.1017/S1355771818000146

Koenis, J., & Bijsterveld, K. (2018). Conceptual Analysis. Maastricht: Creative Commons.

Bijsterveld, K. (Author). (2018). A Sound Foundation: The Early Years of the Dutch Society for Acoustics. Web publication/site, Max Planck Institute for the History of Science. Retrieved from https://acoustics.mpiwg-berlin.mpg.de/contributor-essays/sound-foundation-early-years-dutch-society-acoustics

Bijsterveld, K. (2018). Ears-on Exhibitions: Sound in the History Museum. In D. Howes (Ed.), History and Sociology (Vol. 2, pp. 345-359). (Senses and Sensation : Critical and Primary Sources). London: Bloomsbury Academic.

Supper, A., & Bijsterveld, K. (2018). Klingt überzeugend: Arten des Zuhörens und Sonic Skills in Wissenspraktiken. In M. Zorn, & U. Lenker (Eds.), (Zu-) Hören interdisziplinär (pp. 133-146). (Münchner Veröffentlichungen zur Musikgeschichte; No. 1). München: Allitera Verlag.

Bijsterveld, K. (2018). Review of James Mansell, “The Age of Noise in Britain: Hearing Modernity”. H-Sci-Med-Tech Online.

Bijsterveld, K. (2018). Sensation, Discretion, and Complaining with Style: Comment on Leonardo Cardoso, “Sound-Politics in São Paulo: Noise Control and Administrative Flows". Current Anthropology, 59(2), 201-202.

Bijsterveld, K. T. (2018). Sound Waves of Protest: Noise Abatement Movements. In M. Bull (Ed.), The Routledge Companion to Sound Studies New York [etc.]: Routledge/Taylor & Francis Group.